The video game medium is no doubt growing, but for a (thankfully reducing) few games will always be nothing but ‘murder simulators’ or ‘sick filth’. I will always fiercely contest the idea that violent games make violent people. I have been playing for over 20 years and not once killed anyone in real life, nor have any of my games playing friends. That’s not to say that there aren’t one or two examples of un-hinged lunatics who have cited video games as being the source of their anger and the reason for their hideous crimes, but they are an infinitesimal proportion of the gaming audience at large. Even if their own claims that ‘video games made them killers’ have been disputed by recent research into the human psyche, the headline grabbing idea that games are nothing but sadistic and disgusting will not be going away anytime soon. People need a scapegoat; people need a tangible and reassuring reason why bad people do bad things.
Though they may not be my cup of tea, clearly I am happy for violent games to exist for those who want to consume them. However, I am even more in favour of age restrictions. It is essential that appropriate material is only seen by appropriate eyes and this is the responsibility of those around the player and those providing the content. I’m happy for the Call of Dutys and Grand Theft Autos to be released, but not happy for my 3 year old daughter to see them. As her parent I am responsible for this. With all the age ratings on boxes and promotion that go around massive AAA releases, I have no time for parents who say it’s not their fault that “little six year old Jimmy is shooting people in the head in a murder training game”.
This is why now I can appreciate what my Mum did when
she said I couldn’t play Smash TV (or more specifically Smash TV The Rip Off –
a £3 PD version of the game on the Amiga). She was not at all impressed with
the violent game that my brother had got me for Christmas, with its exploding
enemies and busty glamour girls. I was not impressed with her not letting me
play a game that I thought was pretty cool because of all this ultra violence.
Much like the eight year olds of today that are desperate to play Modern
Warfare and Black Ops, I wanted to shoot people and watch the fountains of
blood. Good on her for putting her foot down, but now she doesn’t have a say I
can finally play a game that sells itself on ‘Total Carnage’
|Smash TV The Rip Off in Amiga Power (natch)
|It's 1999 and its the TV of the future
The game is the spiritual sequel to Robotron 2000, played from a top down perspective with the simple goal being to massacre swarms of enemy sprites while surviving as long as possible. Avoiding the continual barrage of firepower has been described as like trying to avoid raindrops in a storm, and player death is never very far away. Brutally hard, with some saying it’s actually impossible to get top the third (and final) level on single player, without using the extra lives cheat. The plot, loosely imitating the film Running Man, says a huge amount about consumerism and popular culture. The player takes on the role of a contestant in a futuristic game show (set in 1999) where material wealth is accumulated by mass murder – “the most violent game show of all time” the result of “Television adapting to the more violent nature of man”. As the digitized speech of the cheesy game show host screams “big money, big prizes” the contestant is rewarded with toasters, sortscars and even VCRs, as a reward for their non-stop rampage. Looking back at what has now become stable TV programming, the idea of a real version of Smash TV is not entirely outside the realms of possibility, in a modern world where voyeurism seems to know no bounds. Control of this anti-hero in the original arcade game was achieved through two joysticks, one controlling movement the other the direction of fire. Given this, the SNES version is universally considered to be the best home port due to the joy pad’s layout; the face buttons becoming a substitute for one joystick, the direction buttons the other joystick. Indeed you have to wonder how possible it was to get to level 3 on the Mega Drive version, where shooting is limited to just the direction your facing.
|Kill 10 men - win a toaster
Though not an exact arcade conversion, the liberties taken with the licence in ‘Super’ Smash TV actually improve the game play. Playing it alongside the Arcade port on one of the many Acclaim collections I seem to own, actually emphasises how much better the SNES version is. Vibrant sprites crowd the screen, with no noticeable slowdown. More importantly though unlike the original arcade version, getting to the ‘pleasure dome’ is actually possible in this home port, though very hard to achieve. It is these sprites that actually disguise the ultra violence for a contemporary audience, and the idea of it actually offending people seems a little bit laughable now. The volume of pixelated blood and exploding 12 pixel high characters if anything seem cartoonish and tame – if i’m honest I expected it to be more shocking and gore filled. Maybe it’s because the Daily Mail was right and my years of console abuse has desensitised me to violence. More likely though is that a modern day player is used to seeing photo realism and these little exploding boxy sprites just don’t remind us of humans any more. That’s not to say I would want my 3 year old to sit and watch, but as a quick glance on the back of the box would say it’s probably fine for “aged 8 to adult”.
If this game was sold on its shock value 20 years ago, what’s left when this has become so mundane that it’s actually quirky and silly? A hard (though not impossible) shooter that while addictive does get monotonous and boring for a solo player. Any conversion of an arcade game will always have game play that leads to player death as quickly as possible. In the wild, the arcade cabinet would of course only play when money was put into it. So to maximise return, game play had to be as short as possible and as a result you have Smash TV’s frantic death filled game play. Lives last minutes and
continues are plentiful as each one used would have been an extra 50p for the arcade owner. When played at home I find this need to end the player’s life as quickly as possible makes the game feel fractured and frustrating. For me it was simply too frantic, too unpredictable. I found myself more concerned with how to stay alive rather than actually blasting in the gung ho style that was intended. I didn’t feel like an action hero, I felt like a coward; clinging to the walls of each closed in level as this meant bullets would only come from two directions rather than four. I was put in too many situations where I had no room for manoeuvre; there were just too many enemies on screen. This is particularly
true of the second
and third bosses, where there is no safe point to wait while the required gun
upgrade appeared. With the game played
on Normal mode, without the cheat for extra lives I found myself dying at the
same points on each play through. A predictability and inevitability of death
that suggests the game is flawed rather than my abilities, as it seemed no
matter how good I was there was a barrier that could not be over come without
losing lives. A game is only enjoyable
if it’s hard but fair, just presenting an impossible situation to a player
|Its just a matter of inevitability
A product of it’s time therefore, with a plot that documents a point in time when 80’s consumerism was being replaced by 90s sensationalism. An hour long distraction, of adrenaline filled bullet dodging, unfair deaths with bombastic action hero music.
It was fun to play in small doses, but got less fun each time I pressed start on the title screen. There was even times when I would get part way through the second level and just turn it off, knowing that I didn’t have enough lives to overcome the unavoidable deaths and simply wouldn’t have been able to progress. Rather than see my little all action hero unavoidably explode in a shower of red dots (over and over again), I simply saved the game the bother and turned it off. I’m sure it would have been more fun with a friend, though where enemy’s attentions are divided and boss battles halve in length.
Maybe I should play it with my Mum and see how offended she really can get by pixelated blood.
How did I acquire this?
When it comes to a SNES game I definitely have a sweet spot, where if the game looks interesting I will buy it even if I don’t know much about it. Unless it’s a sports game, if its boxed and complete without too much edge ware or crushing I’ll buy pretty much any game for £10 (+p&p) Smash TV was a somewhat impulsive eBay purchase as I saw it had just been listed for £9.99 ‘Buy it Now’ and knew it usually went for a lot more than that. Back in the day it would have been possibly three times that price – which it really isn’t worth unless you have a friend to play with.