A fresh retrospective look back at the classic 16-bit (SNES/Super Nintendo and Sega Megadrive/Genesis) games played during the 1990’s. Most weeks a game is replayed and reviewed to see how it compares today - is it still a classic and worth another look?
Boxed Pixels Also features reflective articles covering retro game collecting, top tips for getting a bargain, games to avoid and general thoughts on those boxed pixels.
There are games to suit all moods. Felling furious? Then for
you I prescribe a fighter to vent your rage. A brain power surplus ailing you?
Why not dabble in some puzzling fun. Feeling down and in need of a giggle? Then
take two point and click games and call the doctor in the morning. Tragically
the bulk of my playing nowadays is done commuting an hour to and from work; a
nice distraction on a high speed train. Recently however, work hours have been
long, intense and stressful. How nice it is to know that from the moment I sit
on that train I have an hour to myself, unavoidable but also uninterrupted. It’s
been my way of just switching off from work, and in the last few weeks a way to
disengage my brain and just unwind. My choice of game for this surprised me, as
on the surface it seems the least likely game you would pick to unwind.
Given my love for Pop N Twinbee, Parodius really should have
been a lot higher on my playlist. In essence they are the same game, but on a
different orientation. The genetic make-up so similar that you can even play as
Winbee and in both colourful bells provide ship enhancement. Parodius is of
course a parody of Gradius (hence the name), a horizontal scrolling shooter. As
a deliberate pastiche of the genre, all the usual rules apply. Enemies float on
screen attacking in predictable wave patterns that need to be memorised.
There’s the typical power up gamble, with the player deciding if they should
opt for the first upgrade or stack them for a greater reward. And of course at
the end of each section is a screen filling boss, which
must be destroyed in
order to proceed. In fact Parodius is so similar to Gradius III that initially
it feels like a simple re-skin. Playing the two games side by side and for the
first five minutes there’s nothing else that separates them but the visuals.
The number of enemies the same, some of the sound effects are the same, even
the attack patterns of the first enemies are identical. However, this visual
overhaul is the reason why Parodius works so well for me. There is a delight in
the familiar game style, but also equally delightful is the surprising.There seems to be a deliberate attempt to
crowd the game with the most outrageous and unusual targets possible. You may
know the formula but you have literally no idea what will come next.
Take the first level for example. If you wrote a list of enemies
you would expect to face in a space shooting game you would never consider
multicoloured Easter Island statues, spraying syringes, stressed chickens,
crabs, blue penguins in bathing caps, pink penguins firing cannons and a pirate
galleon with cat’s face at the bow. All of this madness then
culminates in a
giant end of level boss penguin that wears a pirate hat and has an infected
belly button. A collection of enemies as diverse as imagination allows and
that’s only the first 5 minutes. Before the game’s conclusion you will find
yourself flying through the legs of a belly dancer, shooting a patriotic
American turkey, taking on sumo fighting pigs and dodging the aubergine lava of
an angry volcano. Everything beautifully presented in detailed well animated
sprites and vibrant colours.
The bonkersness extends to other areas of the game too. Who
would expect power ups
that take the form of a protective bubble and a
megaphone that shouts random phases that obliterate anything immediately in
front of the player? Naturally, this being a Konami published game, the music
is of course fantastic – not as great as Pop N Twinbee’s but something rather
special none the less. Like the rest of the game, there’s something
simultaneous familiar yet off kilter about it. Re-workings of vaguely
recognisable classical melodies, forced through an energetic 16 bit sieve.
Catchy and memorable, yet frantic and calming. Much like the aesthetics it’s
just all very odd and shouldn’t work but somehow does.
The less said about this the better!
There are of course faults. You can’t always shoot behind
you, even though enemies can come from that direction.Certain routes through levels lead to
unpredictable unavoidable deaths. Sometimes it’s even hard to tell what is the background
and what is an enemy. Boss fights too are easy when you first meet them with
your supped up armed to the teeth ship. Get hit however and as soon as you lose
a life and returned to the default weapon things get a whole lot harder. These
faults are true of the genre, not unique to Parodius itself and though they may
not be game breaking they prove to be annoying. They take me out of my Zen like
Parodius playing state, they grate, they frustrate.
This is how I roll (on a train!)
But grumbles aside it is for this Zen state that I enjoy
playing Parodius after a long day spent at work. Even the way I set up the game
up is geared towards minimal brain input, maximum sensory return. Difficulty is
set to easy and continues are infinite. The game almost feels like it plays
itself, as I watch the colourful enemies cross the screen rhythmically tapping
the fire button in time with the music. When talking about the game, a smarter
person than me said that
“human beings tend to
gravitate towards repetitive or habitual activities in order to stave off
anxiety or boredom. So it's definitely possible that repetitive gaming could be
symptomatic of a need to control one's environment.”
I may be irking the hardcore by reducing what
is I’m sure a rock hard shooter down but for me it’s the ideal distraction in
this way. Sometimes you don’t play a game for a challenge, sometime you just play
one to be entertained and engulfed by it.
It may all be a non-sense fantasy, but it’s also the best
form of escapism.
How did I acquire
If a game is niche, it’s expensive. Typically a boxed
complete copy of Parodius sells for between £30 and £45 on ebay, partly because
the only way you can play it in English is by owning the PAL copy. But why
would you spend so much, when the Japanese Super Famicom version is half the
price? In fact for me it feels more authentic playing through the madness in
its native tongue, it’s not as if anyone ever played aparody space shooter for its emotive story. To import games from Japan, eBay isn't always your best option. I always check on sites like Solaris Japan as often they have a game in stock cheaper than the final price it goes for on eBay. The also have a few gadget that removes any worry of getting charged extra at customs, so they're worth a look.